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Mu Zongsan’s emotional world and his “feelings” statement
Author: Peng Guoxiang
Source: “Humanities Heng” No. 1 (Zhejiang Daxue Bookstore, 2019)
Time: Confucius was in the 2570s and the April 19th of the Gengzi
� This article fully applies Mou Zongsan’s unpublished letters, combines the relevant articles in “Selected Collections”, and comprehensively displays various aspects of Mou Zongsan’s emotional world, including love, affection, friendship, and natural feelings, especially his love and love in his old age. At the same time, we will also examine the “feeling” focus of Mou Zongsan’s thoughts, which is deeply and detailed, and strive to live the overall structure of world philosophy, especially in the recent trend of Middle East Philosophy that emphasizes and emphasizes “feelings”, pointing out the value and meaning of Mou Zongsan’s “feelings”.
1. Introduction
If you think Mou Zongsan is just a speculative philosopher who is a gaze-watching philosopher, he has no political and social concern, but it is a “blind man touches the elephant”. Similarly, if you think that Mou Zongsan is just as silly and wise as he is “the supreme and forgets his feelings”, he can only be a kind of “mistake” that he doesn’t know if he doesn’t want to discuss his world. Just read Mou Zongsan’s related words, it is enough to feel the intensity and true feelings of his emotions. And his expression, inspection and analysis of his various emotions is also a manifestation of his true feelings. Unfortunately, in the past various research on Mou Zongsan, the exploration of his emotional world is fundamentally evident. Therefore, if you are fully clear about Mou Zongsan, you cannot be limited to his “wisdom”, and you must also touch his “feelings”.
The first article presents and shows various aspects of his emotional world based on various original texts, especially Mou Zongsan’s unpublished letters that have not been applied in the academic world before, including love, affection, friendship, friendship and natural feelings, especially his love and love in his old age. Although the late love, friendship, and feelings revealed to nature have rarely been paid attention to by researchers in the past, they have been more or less recorded in the literature collected by Mou Zongsan’s selection. As for Mou Zongsan’s love world, except for his own cuteness in the youthful era in “Fifty Self-Report”, the text collected in “Selected Collection” today is almost complete and unrealistic. However, this never seems to have no love status in Mou Zongsan’s emotional world. In fact, in the letters of Mou Zongsan and his close friends, there are many honest and self-analysis of love. Since these books are not published publicly, most officials do not know that this article will pay special attention to this aspect in order to explore the world of love. Similarly, Mou Zongsan’s love in his twilight years did not respond much to the text collected in the “Selected Collection”.Instead, he received sufficient revelation in his family letter to his family. This article also applies these letters that have not been published publicly and have not spent on “Selected Collection” in the past, and combines the relevant texts in “Selected Collection” to present the world of affection.
In addition, Mou Zongsan’s emotional world is closely related to his philosophical thinking. In his philosophical thinking, “feeling” is a very important and even focal concept. But Mou Zongsan values ”emotion” and his emphasis on “emotion” in his philosophical thinking can be said to be the same as each other for cause and effect. Unfortunately, in previous research on Mou Zong’s three philosophical thinking, the concept of “feeling” has also been basically neglected. Therefore, in the basis of reconstructing its emotional world through historical and literary reconstruction, this article will also review its “feeling” concept in depth and detail, and strive to live the overall structure of world philosophy, especially in the recent trend of valuing and emphasizing “feeling” in Eastern philosophy, pointing out the value and meaning of Mou Zongsan’s “feeling” statement.
In short, Mou Zongsan himself once said, “In this evil era, there must be ‘big feelings’ and ‘big understanding’. ‘big feelings’ magnificently expand our lives and reveal the source of value and ‘big life. ‘big understanding’ will ease the problem and the way to answer it.”[1] If Mou Zongsan’s “big understanding” is said to be in a series of works on philosophy and philosophical history, then Mou Zongsan’s “big feelings” is exactly what this article wants to try to present and display comprehensively. As for the important structure of this article, the important part of Mou Zongsan’s “Emotional World” lies in “reconstruction of history”, and the important part of his “feeling” is to “clear the concept of thoughts.”
2. Natural feelings
Among all the texts published by Mou Zongsan, “Fifty Self-Report” should be the most sufficient work to reveal its emotional feelings. Among them, the first thing that expresses is the natural feelings he had about his home and country when he was young. When he returned to the natural environment of his hometown, the text under his pen was not only depicted, but also deeply emotional. He said:
I grew up in the Hanxia in the Petroleum Peninsula, Shandong. It was a mountainous county with a clear climate at four hours. Qiu Changchun said that year: “It is better to travel around the country than to have a small cloud. It is not too complicated, but it is not too complicated.” My village is located in a plain in the mountains. Behind the village is the ancestral wall of our Mou family. It is surrounded by brick walls. The scope is quite large. It is also a famous scenic area in the country. White and Yang are scattered, and pine and cypress are green. The Chinese stele is full of green grass. Moss marks, cold ducks. I always feel mysterious here, and when I get there, I feel fresh and comfortable. The atmosphere seems to have a natural fit with my life. At that time, I didn’t know why, nor did I know what it felt. What is the point of my life? 博友? The flames are hot and silence, and there is clear and quiet, deep and far away. It is not the vast and vast wasteland, nor the dense forest, so the deep and deep distance is not the natural universe, but another meaning. [2]
This kind of emotion, in his repeated description of the Cold Food Season itself, melted into the natural text as a “chaotic boy”, and has won more life. href=”https://twsugarhoney520.org/”>Baosheng Sweetheart Network Lively and lively revelry.
The spring scenery of cold food in Qingming Festival is so clear and beautiful. In front of the village is a wide dry river. The hot weather is hot and rainy, the mountain torrents are rising, and the river water is full, and it will be clear in less than a few days. In spring, it is just a stream flowing. The sand on both banks is smooth and soft, the willows are swaying, the green mulberry trees are flowing, and the sound of cuckoos is urging. During the fertility period, I often accompany my brothers and sisters to pick mulberry trees. I also turn somersaults on the sand beach, or swaying. The sun shines everywhere, and there is no cloud in the valley, and look up at the skyFeeding a womanFlying birds, I like not to be self-reliant. That was the brightest and most open time of life. No restraint, no gift. At that time, I didn’t feel that it was restrained or not, no gift, just a mess The brightness of the chaos, a boy of chaos in the brightness of the chaos. This chaos is natural, and the wind is also natural, breathing the air of the six senses and stretching the life of the chaos. The bird’s wings, the softness of the sand, the green of the mulberry, the flow of water, and the white clouds are flying, and all of this becomes a hypnotic heaven. I don’t know how to fall asleep and return to the tranquil chaos. This brightness, this openness, this natural chaos, dynamic or quiet, can When will I persevere? When it develops to a certain point, it can also make people feel this way: what is the past when it is released? Of course, this is not what I knew at that time. At that time, I only felt that the installation was the most comfortable and unrestrained, and the feeling of being lonely but not lonely. I admire the situation of “loving but not lonely” because It is chaos. [3]
From this passage, for Mou Zongsan, the “unspeakable deserted and lonely feeling” can be said to be a “comfortable” feeling that is inseparable from nature. On the other hand, in addition to “comfortable”, Mou Zongsan also arises at t
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